The painter’s son, Dr. Robert Purrmann, and his niece Heidi Vollmoeller, an antique trader from Zurich, built up the archives and rendered excellent services for Purrmann’s remembrance.They had interviewed the painter about his work since 1950 and collected a wide range of material and information about his life and work in Starnberg. Until Robert Purrmann’s death almost the whole painter’s oeuvre had been documented. All paintings, water colours, drawings, and sculptures that were known to them had been photographed, many questions regarding dating and provenance been solved and references of exhibitions and literature been registered in the files of the works.
The Hans Purrmann Archives in Munich contain many autographs of the painter, many letters written to the artist, several photos of different life periods and of his family, as well as press articles and a library on Purrmann and his environment. Original works by Hans Purrmann are not part of the archives.
The documentation set up by Robert Purrmann and Heidi Vollmoeller has – after the death of Mechtild Purrmann – been continued and maintained in Munich since 2008. It formed the basis for the research for the catalogue raisonnés of the paintings (published in 2004), watercolors and gouaches (2008) and drawings (2014).
The extensive collection of letters, photographs, newspapers and literature will continue to be gradually catalogued and supplemented. Since 2011, the “Edition Purrmann Briefe” has been published from this fund: the correspondence with Hermann Hesse (2011), with childhood friend Wilhelm Wittmann (2013), with wife Mathilde Vollmoeller-Purrmann (2019/2020), and with art critic Karl Scheffler (2021).
The archives help museums, art traders and private collectors with questions about Purrmann’s life and work and questions regarding the attribution; expert’s opinions can be ordered. The archives assist in exhibitions on Hans Purrmann and his Circle. The archives also assist you with publications and scientific research.
A visit to the Hans Purrmann Archives is possible by appointment.
Please contact us in advance by phone or e-mail and let us know your request in your inquiry. This way we can advise you and prepare your visit.
If you suspect that you own a work by the hand of Hans Purrmann, the archives will be happy to help you clarify the attribution. Your enquiry will be clarified in a final consultation with members of the Purrmann family and, if desired, documented in the form of an expert opinion. The prerequisite for any statement is a written commission.
For an appraisal, which is always necessary, the original of the work in question must be brought to the Hans Purrmann Archives in Munich or, if requested, to the Doerner Institute in Munich at your own expense and risk. If available, all surviving provenance documents (information on previous owners, documents on purchases and sales, auctions, etc.) should also be submitted.
For a certificate of authenticity the following fees are charged:
Oil painting: 1.000 €
Water colour: 400 €
Drawing: 100 €
Printed graphic: 100 €
All prices plus 19% VAT
No fees are charged for the confirmation of a write-off or forgery.
Felix Billeter, PhD, independent art historian in Munich, study in Vienna, Braunschweig, Würzburg and Munich, dissertation on Flemish Baroque painting, project-related cooperation with museums and private collectors, publications and editorships about art and collections of the 19th and 20th century.
Dr. Billeter has been head of the Hans Purrmann Archives since 2001 and has been significantly involved in writing the catalogues raisonnés of the paintings (2004), the water colours and gouaches (2008) and the drawings (2014).
Laura Assmus, M.A., has been working at the Hans Purrmann Archive since 2025. After completing her bachelor’s degree in art history and social sciences in Fribourg, Bern and Groningen, she completed her master’s degree in sociology with a focus on cultural studies at Erasmus University Rotterdam.
She gained experience at auction houses and museums in Switzerland and Germany, as well as in cultural management at PLATFORM, a project supported by the City of Munich.
Since 2023, she has worked freelance as a provenance researcher in Munich, focusing on works of art from the Nazi era, for an international law firm and an auction house.
Laura Sophie Stadler, M.A., has been working at the Hans Purrmann Archive since 2025. She holds a bachelor’s degree in history and political science from Munich and Tel Aviv, and a master’s degree in international history from Sciences Po Paris.
She has previously worked as a consultant for cultural and media policy in the German Bundestag, as a speechwriter for the Federal Government Commissioner for Culture and the Media, and as a program manager at an international think tank.
Her main job is research and curation at the Munich Documentation Center for the History of National Socialism. There, she is responsible for an art and cultural history project on the role of artists in the Völkisch movement, which is being developed in cooperation with the Städtische Galerie im Lenbachhaus.
Julie Kennedy, M.A., employee at the Hans Purrmann Archive from 2016 to 2024.
Eva Fritz, M.A., worked at the Hans Purrmann Archive from 2014 to 2024. She currently serves as curator of the Munich Re art collection.
Lisa Kern, M.A., worked at the Hans Purrmann Archive from 2012 to 2020. She currently oversees provenance research and the collection archive of the Städtische Galerie im Lenbachhaus und Kunstbau München.
Hans Purrmann Archiv
Schleißheimer Str. 9 | Rbdg.
80333 München
Phone: 089 – 54 24 35 70
Fax: 089 – 54 72 63 98
office@purrmann.com